'The Malvern Aviator' (Smokestack, 2018)
In language that is both precise and strange, Skinner’s poems tip certainties on their heads, making familiar objects in the world unfamiliar: a mountain is not what it seems; a watch prevents self-destruction; a skull contains a universe. Alongside this process of ‘making-strange’ lies a deep connection with sound, colour, temperature and scent that brings the poems fully to life. Questions of faith run through many of the poems, with subjects ranging from the early Protestant sect known as the Lollards, Buddhist Bardos to the Roman Catholic saint called Fabiola. But there are personal poems too: a summer affair, a miner’s complaint, family narratives about his grandmother’s difficult marriage and his mother’s time abroad as a young au pair. These poems engage with form—the cento, the cinquain, the unrhymed sonnet, cut-ups, free verse—in enigmatic, other-worldy ways that constantly surprise and please.
'Richard Skinner’s The Malvern Aviator carries a freight of deep poetic intelligence tempered with playfulness, a clear eye, and an entirely welcome desire to explore its subjects without eviscerating them. The language is precise and clear, opening onto an understated sensory realm that looks to feel the edges of the world.' George Szirtes
'In Richard Skinner's supple and elegant poems, the known and unknown rise and fall like fish in a deep pool, leaving hairline cracks and moonsick hearts. A beautiful collection, full of mysterious clarity.' Catherine Ayres
Coming April 2018